Richard Wagner (1813-1883) is undoubtedly one of Western music’s most controversial figures. His operas (he called them music-dramas) redefined the genre and pushed it to its limits. His epic Ring cycle spans four operas and about 16 hours of music. For this, he invented the leitmotif, a recognizable melodic theme connected to certain characters, places, events, or moods in his operas. He also invented new instruments (e.g. the Wagner tuba) and had his own opera house built (at Bayreuth) in order to get exactly the sound that he wanted. He pushed harmonic boundaries ever further, eventually eschewing any tonal resolution in the opera Tristan und Isolde (which is often regarded as the first modern opera). For all of these operas, he assumed near total control, writing the librettos and designing the sets himself. He was also a writer whose opinions on many things, especially Judaism, have remained a stain on his character.
Wagner finished the opera Lohengrin in 1848. It tells the story of Elsa, a princess in Brabant (what we now call Antwerp), who is rescued and wedded a by a knight in shining armor who insists on remaining nameless. Drama and tragedy ensue, ending with the death of several characters in typical Wagnerian fashion. Elsa’s Procession to the Cathedral comes at the end of Act II, when Elsa is on her way to be married to the knight, who we later learn is Lohengrin, knight of the Holy Grail. Even in its original form, this section is almost a band piece, dominated by winds and percussion. It has become a staple of the band repertoire as a standalone piece.
The University of Michigan Symphony Band performs the classic band arrangement of Elsa, created by Lucien Cailliet in 1938:
Here is the version from the original opera, in a production at La Scala in Milan conducted by Daniel Barenboim:
You can read more about Lohengrin on Wikipedia and at the Met Opera website. As for Wagner himself, here is just a small sampling of what the Internet has to say about him: Wikipedia, Biography.com (video), the Jewish Virtual Library, WagnerOpera.net, and ipl2.
I have found your pages to be a wealth of knowledge for information on several staples of band music. I appreciate the work you’ve done. I did want to make you aware that the link to YouTube for the operatic version of Elsa’s procession has been blocked and is no longer able to be viewed.
Thank you, Jonathan, both for the compliment and for the note about the video. That is a constant struggle of this site, and I will address it as soon as possible.
I performed Elsa 3 times with 3 different high school bands. At the end of each year I ask each member of the band to name their their favorite piece. Elsa was chosen by all 3 bands. It is difficult to play because of the patience & musicianship it requires but obviously with students from 3 different bands voting it number one it is definitely a classic. I enjoyed conducting the piece & in all 3 performances there were tears in many of the students eyes. Thanks to the great Richard Wagner for this outstanding piece of music.