Steven Bryant (b. 1972) is an acclaimed, award-winning composer whose works often straddle different media. He is a three-time recipient of the National Band Association’s William D. Revelli Composition Award (2007, 2008, 2010). His first orchestral work, Loose Id for Orchestra, was “orchestrated like a virtuoso” according to celebrated composer Samuel Adler. His unique works for wind band and electronics have received more performances than any other pieces of their kind.  His other work includes pieces for wind band (some with added electronics), orchestra, chamber ensembles, and electronic music. He studied composition at The Juilliard School with John Corigliano, at the University of North Texas with Cindy McTee, and at Ouachita University with W. Francis McBeth. Be sure to visit his website and read the Really Short Version of his bio for the full picture of Steven Bryant.

Bryant wrote Nothing Gold Can Stay in 2016 for a unique and touching commission. The germ of its inspiration comes from the Robert Frost poem of the same name, given here in its entirety:

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Bryant describes his piece thusly (from his website, links added by me):

Nothing Gold Can Stay was commissioned as a surprise gift for Kevin Sedatole in honor of his first ten years at Michigan State University. His conducting students spanning that decade, led by Jamal Duncan and Armand Hall, banded together and approached me at the 2015 College Band Directors National Convention in Nashville about writing the work, and I knew immediately that I couldn’t refuse this special project, made all the more appropriate because my wife, Verena, was one of Kevin’s very first students at MSU.

The music is my deliberate attempt to write a chorale – something simple, beautiful, and familiar. The deceptive surface simplicity of Robert Frost’s poem seems to coincide with this music, particularly the paradoxical descending of dawn to day, all embodying the concept of felix culpa, or “lucky fall” – the idea that loss can bring greater good, and is in fact necessary.

Visit Bryant’s website for a full list of the commissioners.

Hear the North Texas Wind Symphony perform Nothing Gold Can Stay:

Here is my performance with the Hartwick Wind Ensemble from March 5, 2020, with some pandemic-era imagery:

See more about this piece at this fan site and the University of Maryland Wind Orchestra blog. Also check out this analysis of the poem.

Bryant likes and is comfortable in electronic media. He has a YouTube account, a Twitter handle, and a Facebook fan page. He has a fantastic website. He also numbers the revisions of his music like computer software: for instance, his latest version of Dusk is version 1.4. In his words, “The old version (1.2) is NOT compatible” with the new. He also writes dedicated electronic music. My favorite, which I heard when I sat in at his session at the Ball State University Conducting Workshop in 2012, is called Hummingbrrd.