Shuying Li (b. 1989) is a widely acclaimed, award-winning composer based in California. Her music has been performed and commissioned by ensembles of all shapes and sizes around the world. After study at the Shanghai Conservatory in her native China, she won a scholarship to The Hartt School and continued her studies there, leading to further degrees (masters and doctorate) at the University of Michigan and numerous professional connections across the USA and the world. In addition to composing, she teaches at Sacramento State University and leads the Four Corners Ensemble, a group that seeks to bridge cultural divides through new music. For more particulars on her and her music, visit her website, the Wind Repertory Project, Sacramento State University, and RMN Music.
Li wrote In This Breath as a tribute to her partner, the widely-beloved conductor and CBDNA president Glen Adsit, after his untimely passing in 2024. It was commissioned by a long list of schools and individual contributors, a testament to the impact that Adsit had on everyone he worked with. Li begins her program notes (edited by Rusty Koenig, links added by me) with a quote:
My nature is the nature of the cloud – the nature of no birth and no death. Just as it is impossible for a cloud to die, it’s impossible for me to die. I enjoy contemplating my continuation body, just as the cloud enjoys watching the rain fall and become the river far below. If you look closely at yourself, you will see how you too are continuing me in some way. If you breathe in and out, and you find peace, happiness, and fulfillment, you know I am always with you, whether my physical body is still alive or not. I am continued in my many friends, students, and monastic disciples.
– Thich Nhat Hanh, The Art of Living.
This quotation comes from Thich Nhat Hanh’s The Art of Living. This book is a collection of the Vietnamese monk’s ruminations on life and death that guided my partner Glen Adsit through his personal struggles when confronted with his own mortality. As well as being my beloved life partner and musical collaborator, Glen was a beloved figure in the music community who touched the lives of countless collaborators and students. In the wake of Glen’s sudden passing in January 2024, we have all become the rain to Glen’s cloud. His inextinguishable spirit and profound influence continue to resonate deeply within all of us. Although his physical body is no longer with us, we now constitute his continuation body and are charged with continuing his legacy of support and love for one another.
This piece is a tribute to Glen, the physical life we shared together, and the new life we share as I continue his legacy in my own way. It reflects the profound love and connection we share, both personally and through our collaborative musical endeavors. The piece is lyrical and tender, inviting listeners into the intimate emotional spaces Glen and I navigated together. It captures the essence of Glen’s loving spirit — missed by many, cherished by those who experienced his warmth and guidance, and still apparent in the life and work of his family, colleagues, and students. It is both a celebration of Glen’s life and the enduring bond he and I share and a tribute to the legacy of love and artistic collaboration that he left behind for all of us to continue together.
Listen as the Baylor Wind Ensemble plays In This Breath with the composer at the piano:
See more about In This Breath at Li’s website (including the score) and the Wind Repertory Project. Also, enjoy this video of Glen Adsit at work on one of his favorite pieces, David Maslanka’s Symphony no. 4: