Edwin Franko Goldman (1878-1956) was one of America’s premiere bandmasters. He was born in Lexington, Kentucky to a musical family. They moved to New York in his youth, where he studied composition with Antonin Dvorak and later began his career playing trumpet in the Metropolitan Opera orchestra. In 1911, he formed the organization that would become the Goldman Band, a professional concert band that played outdoor concerts in New York City. He also founded the American Bandmasters Association, an important and exclusive professional organization for band directors. Through these groups, Goldman would commission and premiere numerous new works that are now standard repertoire for wind bands. He was also a composer in his own right, with over 150 original works to his name.
He wrote The Chimes of Liberty in 1922 for the Goldman Band. It is a standard American march, but with a chimes solo in the trio and a piccolo solo that sounds like it was ripped straight from The Stars and Stripes Forever. Like other Goldman marches, the trio section had words:
They’re the chimes of liberty,
Chimes that ring for you and me,
Where every loyal heart beats true,
They bring joy anew;
‘Tis a song of loyalty,
Of a nation brave and free,
Let us pray that they will ring for aye,
Our country’s chimes of liberty!
Feel free to sing along as The President’s Own United States Marine Band plays the march:
Loathe as I am to quibble with the US Marine Band on march style, I like to do a few things differently from this performance, which is largely by the book of the latest Schissel edition. These changes add variety and excitement to the piece, and can be applied to any number of other marches. They are based on my studies of march form with Wayne Bailey at Arizona State University, and have been tested in performance.
- In the first strain, have the trombone countermelody folks play a little under dynamic the first time, then have them play out the second time.
- In the second strain, take out everyone except tubas, horns, saxes, and clarinets the first time, and have the clarinets play down an octave. Everyone who does play should stay at piano throughout. Second time, as written. All of these changes start on the PICKUP, by the way.
- Trio first time, have the trumpets play the last note of their fanfare figure long. Dr. Bailey also had them use cup mutes in this section.
- Speed up ever so slightly in the last four bars, and place the stinger a hair early.
Read more about Goldman and his band. If you’re looking for more information on the Goldman Band, look at print sources like Frank Battisti’s The Winds of Change or Richard Hansen’s The American Wind Band: A Cultural History. The websites that do exist (goldmanband.org and goldmanband.net) are relics from the Band’s acrimonious last days in 2005 (and have not been updated since), and they contain little in the way of history.